In optimism that by April we will be able to attend events again, Norfolk County Youth Music are offering a 4 day course for young musicians. For details of who it is for and how to apply, watch the film (link below) or visit www.ncym.co.uk
NCYM Orchestral course April – (fingers crossed!)
Programme: Rossini Overture, The Barber of Seville Beethoven, Symphony no. 5
A seasonal choral programme combining celebratory jubilation with the contemplation and mystery of the Christmas story. Morten Lauridsen’s exquisitely layered, luminous meditation for voices has become a much-loved, contemporary choral classic, and is described by its composer as “a quiet song of profound inner joy”. It contrasts vividly in this programme with Corelli’s joyous Christmas concerto – with its final movement Pastorale depicting the shepherds at Bethlehem – and Bach’s great setting of the Magnificat, heard here in its original version that includes additional Christmas movements; exuberant and uplifting in equal measure. Stephen Layton, one of the world’s most celebrated choral conductors, brings with him a consort of accomplished soloists that include soprano Julia Doyle and mezzo Helen Charlston.
Please click here to read more about what we are doing to keep you safe during our socially distanced performances.
Rouen is a city in Normandy which is twinned with Norwich in Norfolk, East Anglia. Ensemble Variances is based in Rouen and led by composer and pianist Thierry Pécou. The ensemble has been developing relationships with Music in Norwich and elsewhere in the UK. It is their 10th anniversary this month and the gala concert they had planned has been cancelled so they have devised an online series instead.
Thierry and the Ensemble have the pleasure of inviting you to an online celebration concert via this link which will become active on Thursday 10 December at 9pm (8pm UK time) or via the attached invitation flyer
The Ensemble were due to play a celebratory concert, NAHASDZÁÁN in Besançon in France on 10 December, which has sadly had to be cancelled.
Rather than be confounded by Covid, they have programmed instead a three-concert series to be shown via YouTube starting on 10 December at 9pm French time, 8pm UK time,with Nahasdzaan (Mother Nature in the Glittering World), followed by two more on 25 December and 10 January, Outre-Mémoire (Beyond Memory) and Méditation (link available later).
Each concert will be available until the next concert is launched and we will post updated links beforehand (10 December, 25 December and 10 January).
We hope that you will be able to join us for the celebration event on 10 December 8pm UK time, 9pm in France or if not, to enjoy the concert series in your own time as the links will stay live for a while.
The ensemble looks forward to returning to live performance in the new year and hope that they will see some of you at their concerts either in the UK or in France.
You can find out more about Ensemble Variance and the concerts on the website as well as other projects they have been involved in
Norwich Chamber Music is disappointed that because of Covid quarantine measures, Norwich Chamber Music must cancel the concerts with Jörg Widmann next weekend, and the visit of the Dudock Quartet. We share your sadness that these concerts cannot occur.
We are delighted to announce, however, that Pavel Kolesnikov, will now give two recitals in the John Innes Conference Centre on Saturday 7 November 2020.
Full social distancing procedures will be in place. His programme embraces many of the works originally planned for us on September 12th, and will include:
Liszt. Transcendental Étude No.8 (“Wilde Jagd”) and La Cloche Sonné S.238 Scriabin. Op.51 No.4, Danse Languide and Op.51 No.3 Poème Aile Liszt. Transcendental Étude No. 6 (“Vision”) and Wiegenlied S. 198 Scriabin Sonate No.2 Op.19 Liszt Élegie No.2 S.197 Beethoven Sonata in D minor Op.31 No.2 (“Tempest”)
The 60 minute programme will be played twice, at 3pm and again at 6pm. To meet track and trace regulations for each performance, special ticketing arrangements are needed even for those with existing season tickets. Those without tickets cannot be admitted. Further information from St Georges Music Shop 01603 626414.
For everyone’s safety, the seating capacity in the Hall will be limited. Tickets will be available to all from 12.00 noon on Wednesday October 28th, The arrangements for Season ticket holder have been sent to them separately. The general price at either concert is £20, reduced to £15 for Members. We regret that under the current social distancing regulations, availability may be limited.
A limited number of seats will be available for wheelchair users or those unable to use stairs. Write to us at firstname.lastname@example.org to confirm availability.
What to expect at the concert:Entry only for those who hold tickets in advance2 metre distance to be kept wherever possibleClear signs and helpful stewards Audience members will be required to wear face coverings (unless exempt through Government guidelines).Hand sanitiser for your use on entryNo printed material will be used – no tickets on sale, no programmes or programme notes. Programmes will be sent online in advance.A “one way system” into and out of the Hall and for toilet facilitiesReduced capacity in the concert Hall, with socially distanced seating.You will be directed to a seat, and will not be able to choose itOnce in your seat, do not leave at the end until directed by ushers,Shorter performances (about 1 hour) with no intervalNo refreshments No socializing in John Innes foyerRegular and thorough cleaning of the Hall, foyer and toilets before and after concertsThe cloakroom will be closed For our full policy on Covid-19 please refer to our website following this link www.norwichchambermusic.org.uk
Assuming no new regulations affect our plans, we are looking forward to two excellent performances by Pavel Kolesnikov. We hope you feel able to come, and if so, much look forward to seeing you on the November 7th
Although there are still restrictions on numbers attending events at the church because of the need for social distancing, we are hopeful that all those wishing to attend in person will be able to do so.
However, if numbers are large, we’re unable to guarantee a place for everyone, and we’d advise arriving in good time so you can make sure of your seat. Or you can watch from home as the performances will be live-streamed on the St Peter Mancroft YouTube channel. You can set a reminder by following the link. St Peter Mancroft YouTube
With true creative resilience, many organisations are bouncing back with online activities to keep us going during tis strange lockdown period. This post has been pulled together by Norwich Chamber Music group to give you an easy-access set of links
Although live concerts, as we know them, have been put on hold, you can get ready for a festival of delights– the Wigmore Hall will be presenting a lunchtime concert every weekday in June, played live to an empty house (In full compliance with current guidelines) and relayed via Radio 3. Recitals will also be available on the Wigmore Hall website and BBC Sounds for the following month. Perhaps an excuse to sit with a glass of wine and imagine you’re in the concert hall (with extra benefits!). Please read the article below for further information. A full programme of artists can be found on the Wigmore Hall website – many of the performers are alumni of the JIC concerts. https://www.theguardian.com/music/2020/may/12/glimmer-of-hope-leading-performers-return-to-londons-wigmore-hall
For those of you who enjoy an occasional visit to the world of full orchestral music, American conductor Michael Tilson Thomas has created a series of video lectures, liberally illustrated by the San Francisco Symphony, exploring some of the symphonic masterpieces of the repertoire. The series is called Keeping Score, and it’s well worth a look: https://michaeltilsonthomas.com/keeping-score/
Some of us are thinking regretfully of the cancelled 2020 Glyndebourne festival. But there’s some consolation in their programme of streamed past performances, which begins on Sunday 24th May. See here for details: https://www.glyndebourne.com/openhouse/
Why opera matters, a programme from Glyndebourne by Petroc Trelawny, first broadcast in 2014https://www.bbc.co.uk/sounds/play/b048bghw
Glyndebourne operas also available on Radio 3.
And here’s a reminder of the range of continuing on-line treats:
An excellent summary of global online resources featuring classical music, opera, theatre and dance is on Bachtrack: https://bachtrack.com
Whatever you’re listening to – whether on-line streams, forgotten or unplayed CD from the back of the shelf, recommendations from friends, familiar favourites, new discoveries, Radio 3 – we’d be delighted to hear something about your experience of music under lockdown. Just send us a few sentences (or more if you’re feeling inspired) to share with the members of our community. We’ll edit, and circulate in the next newsletter. Think of it as an ongoing concert-interval conversation!
For now, we hope you’re all keeping well, enjoy the sunshine and we look forward to seeing you at the John innes centre for teh next season
UEA Choir and Symphony Orchestra warmly invite you to join them for their spring concert ‘Fauré Requiem and Saint-Saëns Organ Symphony’ on Thursday 19 March at 7.30pm at St Andrew’s Hall, Norwich.
Massing more than 200 performers on stage, comprising students, staff and members of the local community, the choir and orchestra will perform Lili Boulanger’s noble graveside oration, Pour les Funerailles d’un Soldat, Gabriel Fauré’s gentle and profound Requiem and Camille Saint-Saëns’ glorious Symphony No.3 in C minor, Op.78.
Fauré is the presiding genius of this programme. The gentle, profound Requiem carries the title ‘Choral Favourite’ with grace and dignity. Its touchstone capacity to reflect a deeply human longing is seemingly inexhaustible. The meteoric Lili Boulanger was both a student and a musical confidante of Fauré. Her noble graveside oration comes from the same year as she became the first ever female winner of the Prix de Rome. Saint-Saëns’ Third Symphony comes from the years of his greatest fame. Glorious music conceals forward thinking, formal innovation and a search for musical unity.
The choir and orchestra will be joined in their performance of Fauré’s Requiem by Jenny Stafford (soprano) and Jake Muffett (baritone)
Tickets cost £4 – £12. Tickets are available to purchase: by phone or in person from St George’s Music Shop (Tel: 01603 626414, Address: St George’s Music Shop, 17-19 St Georges St, Norwich, Norfolk, NR3 1AB), online from www.uea.ac.uk/music-centre/events/tickets, or on the door (cash or cheque only).
For further information about the concert, please visit: www.uea.ac.uk/music-centre/events, email: email@example.com, phone: 01603 593948, or follow @UEAConcerts on Twitter and UEA Music Centre on Facebook.
Programme 1 Saturday 15 February 7.30pm Sonata in F, Op.24 (‘Spring’) Sonata in A, Op.30 No.1 Sonata in C minor, Op.30 No.2
Programme 2 Sunday 16 February 3pm
Sonata in G, Op.30 No.3 Sonata in A, Op.47 (‘Kreutzer’) Sonata in G, Op.96
James Ehnes and Andrew Armstrong complete the cycle of Beethoven’s violin sonatas which they began last season. Among the famous works in these two concerts are the lyrical ‘Spring’ Sonata Op.24, the dramatic Sonata in C minor Op.30 No.2, and the ‘Kreutzer’ Sonata Op.47.